"The Pleasures of Eating" from WHAT ARE PEOPLE FOR? by Wendell Berry. Copyright © 1990 by Wendell Berry.

Berry’s piece asks readers to take pleasure in eating by being a participant, by connecting with the agricultural world that feeds them. He says the food industry is turning citizens into passive consumers who take and pay what they’re told. According to Berry, people should be active participants in the agricultural process; they should realize where the food comes from, understand what is done (or not done) to it, and be grateful and appreciate it. To engage readers and help them move toward this renewed connection with the land, Berry suggests that his readers grow some sort of food on their own, make their own meals, learn about the food they buy, buy local and direct from farmers when possible, and, in general, learn everything they can about the food industry and the history of the food they eat.


Qualley, Donna. Turns of Thought: Teaching Composition as Reflexive Inquiry. 1997. pp. 1-30.

Qualley presents her thoughts on reflexive inquiry, interspersed with personal anecdotes from home and work. She explains reflexive inquiry as always re-questioning in light of new information, an adaptation of ideas. As a teacher, Qualley employs this by asking her students to not just follow a formula for writing papers, but to see what their papers mean. How did they figure out or portray the subject and through what genres? Qualley wants students to think about their work, not be robots spitting out someone else’s ideas. She wants students, not be looking for a be-all, end-all answer, but to be engaged in a process of trying to understand with much reflection on one’s own ideas while exploring the connections and disconnections of other ideas. However, to procure these results, Qualley states that students should be taught how to read as reflexive inquirers. She thinks that students should examine the values they bring to a situation as well as other values at play. In providing definitions for the reader, Qualley says reflexivity is a response to others (ideas, people, etc.); it’s like taking two unlike things and trying to make sense of them. In contrast, reflection is a one-person gig; you figure out what you’re thinking/feeling on your own. A third idea, metacognition, involves being aware of your own thoughts and how they are working, but its use is limited, especially when struggling through questions with numerous ideas and answers involved. According to Qualley, if students can relate their own ideas to their worlds and understand, they aren’t learning. To learn new things, they must look outside the familiar, outside what easily makes sense. In reflexivity, Qualley says students must be aware of their thoughts and the roles they play in relation to drawing conclusions. Subjectivity can be helpful in the process of reflexive inquiry, but even it must be subject to reflexive thinking.

 
Alrighty then, since I wrote a novella for the last bit, I feel perfectly justified in skimping on the word count here...unless I start ranting, in which case you, dear reader, will receive much more than you want and will likely close this window to escape the rubbish.


"A Native Hill" by Wendell Berry (edited/introduced by Norman Wirzba)
Okay, I think I'm starting to sense a trend here along the lines of mucho description and bits of everyday life. Looks likes, once again, we have major imagery and symbolism...though this one makes more of a reflective tie between present, history, and environmentalism. Honestly, while I'd probably love this if I were a green freak or history buff, it strikes me as loads of description (more than I care to see at once) interspersed with preachy rambling. It almost has that "message within personal experience" vibe "Paris to the Moon" has at the beginning...but then it just keeps going on and on and on. For that sort of length, I think you need an audience with a super high interest level, or a captive audience (like college students). That, or just write it in a never ending blog post; they're perfect for protracted reflection sessions. :)


"Narrative Life" by Gian Pagnucci
Well, if I weren't fearing and dreading the Twitterive assignment before, I sure am now. The stories of our lives? I'll admit, some of the stuff I hear is pretty story-worthy, but it always seems to be someone else's life. Now, I think that may be a byproduct of the typical "grass looks greener on the other side" syndrome, but looking at my own life...

It takes me back to that first(?) day of class when the prof asked us to write down a "secret," preferably something embarrassing so that the people might laugh and be entertained. I couldn't think of anything I would put under "secret." Yes, I have spit takes and clumsiness and more regrets/shameful moments than I'd like, but there's really nothing I wouldn't tell if asked, nothing "secret." I guess life, written as is, at least, seems too mundane.

Pagnucci talks about preserving your past...I've kind of already lost most of it. ^^;; There are things I'll remember if something else sparks them, but it's not like an archive I can just search and open at will. And in general, I don't really mind the memories fading.

Don't get me wrong. I love stories. I doubt I'd be a Writing major if I didn't. But while I'll put bits of myself in my stories, I'm not sure how I feel about writing "my stories" if that makes any sense.

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